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With a gun in your mouth,...

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05/17/2009 10:18:16

SO TRUE.

As we grow up, we learn that even the one person that wasn’t supposed to ever let you down probably will. You will have your heart broken probably more than once and it’s harder every time. You’ll break hearts too, so remember how it felt when yours was broken. You’ll fight with your best friend. You’ll blame a new love for things an old one did. You’ll cry because time is passing too fast, and you’ll eventually lose someone you love. So take too many pictures, laugh too much, and love like you’ve never been hurt because every sixty seconds you spend upset is a minute of happiness you’ll never get back.

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11/12/2008 13:46:23

daybook

oh god,.. this band sucks,.but my best pal Ron and i formed it last ..umm,. november 07? (i think,)

we used to cover etf’s songs ..with me doing vox and him doing the bass/ 2nd vox (the high notes…that guy sing like his lungs will xplode!)and whenever we fool around during jamming times we play 7 years. YEAH! 7yrs, me copying the voice of …anthony green( voice of a 9 year old crying for candies) we jam and jam. till our 1st and last gig came..

evryones xcted..all of us trying to be cool but inside we knew were fucking nervous!(ron and our lead guitarist drunk some beer and stuff .. i think it helps them to control their nervousness) so our time came and we startd playing .

1st song-Webs we weave. umm not bad ..but not that good thanks to our fucking “then” drummer.

2nd song-the guillotine. YEAH! we ownd this round. evryones like staring! but the problem now is ron..he’s drunk and cant sing the high notes well.

3rd-dragging dead bodies. good but not enough bcoz our drummer doesnt play that well.. and his fucking pedal has a problem.. fcuk it he really ruined us that night.

(pack-up time)

im so dissapointed,. this band sucks! 3 of my band mates(xcpt me and ron) doesnt know how to dress well…they look like fucking retards.specially the drummer-looks like an emO/squater kid.

we suck..we suck big time i know,

after that gig. i decided to end my musical connection with them.

i dont want to feel embarassed again. especially were covering my favorite band of all time.

maybe someday me and ron will find a better band members.

someday.

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11/12/2008 12:52:00

I DUNNO HOW TO RAP?

OK.AFTER SEEING 8 MILE (AGAIN) I WAS LIKE WHOAH!! SICK MOVIE!

THEN.. JUDAS POOF INTO MY MIND AND WHISPERED THIS WORDS INTO MY EAR- DUDE YOU MUST RAP LIKE RABBIT.. NO! YOU MUST BEAT RABBIT’S ASS., I SAID TO HIS FACE: FUCK YOU! THIS GUY IS THE BEST HE’S EMIN-FUCKING-EM. I HAVE NO CHANCE MEATHEAD!

JUDAS: YOUR HEART! USE YOUR HEART… I KNOW U CAN. I TRUST YOU.(OLD DRUNK GUY’S VOICE)

ME: FUCK THE HEART DUDE! FUCK THE HEART! AND YOUR FUCKING JUDAS DO YOU THINK ILL TRUST YOU?! FUCK YOU! YOU FUCKING COCK STATUE COLLECTOR!

JUDAS: SON..WATCH YOUR MOUTH,. IM 12489712yrs OLDER THAN YOU, AND I KNOW YOU HAVE THE SKILLS. BELIVE ME! ILL SHOW YOU HOW.(OLD DRUNK GUY’S VOICE)

ME: HUH?! WHAT THE?! KNOW WHAT FUCK THE SKILLS JUDAS! FUCK IT. AND GET OUT OF MY FUCKING MIND!

JUDAS:OK ILL JUST GIVE YOU THIS TIPS. USE IT SMARTLY OK?(CRATCHING HIS ASS)


Step1 Just start “flowing.” Rap is largely improvisational, so just start speaking in the vein of free association. It doesn’t matter what you’re saying, just let the words come forward to get a feel for the medium and keep going. Step2 As you become more adept, work traditional poetic techniques into your rap. Use metaphors to compare things and rhyme to give your verse a musical quality. Puns and wordplay make your rap clever, but don’t forget it has to sound good, too. Remember: it’s music. Step3 Practice, practice, practice. Rap as you walk or work. Always be rapping about what you’re doing and thinking. Write down clever rhymes or wordplays that occur to you during the day. Keep building on the foundation you laid. Step4 Write a rap. Although rap started as improv, there’s no law that says you can’t write it down ahead of time, and doing so will allow for a much more intricate and well-layered lyric. Step5 Have a rap battle. The ultimate test of your rapping abilities, and one of the fastest ways to hone your skills, is in competition with another rapper. Insults, clever jibes and lightning quick thinking are all elements in the rap battle, so practice with somebody of about your ability.
ME: URGH.. JUDAS.. TSK!TSK! FUCK OFF.



(AM NOT HIGH WHILE WRITING THIS O.K… IMAGINATION,IMAGINATION,..and 23pcs of cookies) LOL

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11/12/2008 12:25:21

The ultimate acting is to destroy yourself

um.um.

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11/12/2008 12:16:11

"I Want."

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THIS MOTHRFUCKR!

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11/12/2008 12:11:16

"OH DEAR OLD JENKINS!"

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yeah my gf is into zebra stuffs .. like pants,wallpapers,tees,um corn beef?

i wonder if she’ll eat it LOL, anyway ..i never thought id be interested in this zebra shoes.. like its fucking beautiful!


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11/12/2008 12:06:30

"If i have .."

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plurk …fuck it am really into that shit right now!

this shirt… this 00wNs

this fucking draven shoes..


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11/12/2008 11:52:12

""

-- The soft blue glow,
the lovers’ words that then did flow,
their lips closer and closer
until, locked in the throes
of a passionate embrace,
he decided to express his feelings,
to keep her safe.

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11/07/2008 13:58:32

Singing is easy just like a.b.c

im not good at singing (screaming..maybe?)

but heck this will really help.

The diaphragmatic attack was invented be a failed opera singer/vocal coach.

This attack causes registration and breaks in the voice. It leaves the voice sounding more like shouting or bellowing and strains the voice by overpowering it. Because of this unnatural vocal technique the terms of: chest voice, middle voice and head voice and breaks/bridges came about.

Quite simply, when you sing with the right attack registers and breaks don’t exist, they are an invention by a bad vocal coach that has been passed down through time. So, you don’t need a course that teaches you how to make it over your bridge or mix registers. You need a course that teaches you the best attack, the attack of the mask. That course is Vocal Release.

The glottal attack is what’s known as, “singing from the throat.”

It involves sort of coughing motion that causes the vocal cords to zip up. This attack is very dangerous and painful. The only people who really use it are bad rock singers who sound like they are screaming badly with no beauty of tone.

Attacking the voice from the mask makes the voice as easy to use as humming. Any note from lowest bass to the highest soprano notes can be sung by using the attack of the mask. Attacking the voice from the mask eliminates registers and breaks. They simply do not exist when you sing with the attack of the mask. All notes sung are full, round and pleasantly forward.

When you watch a great singer and their voice seem to have no ceiling, it comes out effortlessly and the voice seem to resonate forward behind the nose eyes and upper pallet, that is the attack of the mask. Some singers do it naturally by instinct.

This is why some people are naturally good singers and some people struggle to sing even half as well. Without singing using the attack of the mask the voice is a struggle to use, breaks up into registers and simply doesn’t sound very good. With the attack of the mask even powerful singing is as easy as humming with the mouth open.

This is also why some people think you can’t learn to sing. Unfortunately most vocal coaches and no other online courses besides Vocal Release, teaches how to learn to use the attack of the mask specifically. Yes, it can be taught. But, you have to learn specific parts of your body to manipulate and exercises to instill proper voice production.

The attack of the mask does not just happen by relaxing and singing with an open throat at speech level. The attack of the mask is not, “singing in your head voice,” or forcing air through your nose like honking.

(i think some of them are for opera singers)LOL

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10/26/2008 15:24:00

How embarrassing

yah this is my 1st time to do this shitty crap..

great.


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